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artist: Edie Fake



Classification

Decade Work Created

Artist Name

Region

Personal Business
© » KADIST

Edie Fake

Drawing & Print (Drawing & Print)

Related to Edie Fake’s Memory Palaces series — reimagined facades of urban lesbian bars and gay nightclubs — Personal Business draws an association between architecture and the body, with ornamental structures that are decorative and protective. Fake notes, “More and more I’m trying to bring an anarchy into that architecture, or a fantasy and ecstasy of what queer space is and can be.” A beautiful building that’s defended by an imposing front. In this way, the architecture becomes a metaphor for the constructed layers of the self.

Sous-dieu (Au non de la liberté (Tiko drink Kumba drunk))
© » KADIST

Chantal Edie and Zacharie Ngnogue

Photography (Photography)

Au non de la liberté (Tiko drink Kumba drunk) is a photographic series by Zacharie Ngnogue and Chantal Edie that considers the correlation between those who hold power in Cameroon and how their actions affect the populations they rule in often compromising ways. “Tiko drink-Kumba drunk” is an adage that is commonly used in the Southwest province of Cameroon to speak of how one’s actions affect others. Civil liberties are next to non-existent in Cameroon, the law is lawless, and structured in a way that is intended to attack its citizens’ human rights.

Palais de l’injustice (Au non de la liberté (Tiko drink Kumba drunk))
© » KADIST

Chantal Edie and Zacharie Ngnogue

Photography (Photography)

Au non de la liberté (Tiko drink Kumba drunk) is a photographic series by Zacharie Ngnogue and Chantal Edie that considers the correlation between those who hold power in Cameroon and how their actions affect the populations they rule in often compromising ways. “Tiko drink-Kumba drunk” is an adage that is commonly used in the Southwest province of Cameroon to speak of how one’s actions affect others. Civil liberties are next to non-existent in Cameroon, the law is lawless, and structured in a way that is intended to attack its citizens’ human rights.

Musée colonial (Au non de la liberté (Tiko drink Kumba drunk))
© » KADIST

Chantal Edie and Zacharie Ngnogue

Photography (Photography)

Au non de la liberté (Tiko drink Kumba drunk) is a photographic series by Zacharie Ngnogue and Chantal Edie that considers the correlation between those who hold power in Cameroon and how their actions affect the populations they rule in often compromising ways. “Tiko drink-Kumba drunk” is an adage that is commonly used in the Southwest province of Cameroon to speak of how one’s actions affect others. Civil liberties are next to non-existent in Cameroon, the law is lawless, and structured in a way that is intended to attack its citizens’ human rights.

Chantal Edie and Zacharie Ngnogue

Chantal Edie and Zacharie Ngnogue are a photography duo who channel their personal experiences into social commentaries...

Edie Fake

Edie Fake’s paintings start as self-portraits, referencing elements of the trans and non-binary body through pattern, color and architectural metaphor...